This short essay piece develops a poetic reflection around the issues of water exploitation and rock mining in the Swiss Alps. By juxtaposing contemporary images to archives, and by proposing a storytelling mix of documentary and fictional elements, the work is an invitation to engage with the geological and human memories that shape and haunt current extractive environments.
Andrea Bordoli’s research and practice lies at the intersection between anthropological theory, film and visual art. His works have been presented in academic settings and exhibited in film festivals and art spaces nationally and internationally.
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