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In southern Piedmont, director Sandro Bozzolo traces his relationship with his father Ettore, a motorway toll collector and chestnut farmer, a man who can be moved by the immensity of the forest, where he recovers ancient abandoned chestnut groves. The common thread is transplanting, in relation to a valley or a community, also in generational terms. Both the village and the forest are repopulated, while a world that seemed destined to fade away is reborn from the severed trunk of a past that is still alive.