Due diversi gruppi di scalatori salgono sulla stessa montagna attraverso un ghiacciaio delle Alpi.
Il primo gruppo, composto da tre uomini giovani e preparati (membri del 'Gruppo Scoiattoli Cortina'), intraprende un'ardita salita per una via difficile tra le fessure di ghiaccio dei seracchi.
Parallelamente il secondo gruppo, formato da una bella giovane donna e una guida, salgono per una via più facile.
Durante la discesa i tre uomini incontrano la guida e la donna e li aiutano a recuperare lo zaino della donna, caduto in un crepaccio.
He was born in 1892 in Ortisei/Sankt Ulrich, Val Gardena. Trenker was brought up in a land that had become Italian after the First World War, but that had always addressed the German world and was open to cultural exchanges with the Northern alpine arc. Trenker started his cinema career as an actor in 1926, and then continued as a director. He was obliged to move in contrasting and widely dispersed settings. Politically he had to manage between Nazi Berlin and fascist Rome, his work taking him to Tirrenia (the cinema city of strongly coveted by fascism) and New York as well as Austria and Germany. Trenker, nevertheless, never loosened his deep ties with Tyrol and his home valley. Trenker’s works were famous not only in the Alpine countries (Italy, Austria, Germany, France and Switzerland), but in all of Europe, as well as Mexico, Japan, Argentina and North America.
His filmography as a director includes: Il Prigioniero della Montagna (1955), Barriera a Settentrione (1949), Monte Miracolo (1943), Il Ribelle della Montagna (1940), Lettere d'amore dall'Engadina (1938), Montagne in fiamme (1937), La grande conquista (1937), Condottieri - Giovanni dalle bande nere (1937), L'Imperatore della California (1936), Il figliol prodigo (1934), Il grande agguato (1934) and I cavalieri della montagna (1929).